29/11/2010 14:22:00 Scottie Campbell
Margaret Cho is a comedic force of nature. She confronts every imaginable
subject—from flying to fisting—fearlessly, but also with a
palpable vulnerability about her.
Cho’s material is personal yet universal, infused with her heat-seeking
humor. Smart like George Carlin, political like Lenny Bruce, character-driven
like Lily Tomlin, and fearless like Richard Pryor, she is on her way to
the comedic pantheon.
Right now Cho is fresh from a turn on Dancing With The Stars that saw
her eliminated in an early round, but not before bringing down the house
in rainbow attire and stumping on behalf of LGBT youth.
Cho is bringing her latest show, The Cho Dependent Tour, to Orlando
and Clearwater. Watermark spoke with her by telephone from her home
in Los Angeles—with an occasional dog bark punctuating the conversation.
WATERMARK: You’ve come through Florida before, but this show
is going to be a little different because you’re promoting your
new music CD.
MARGARET CHO: Yes, but it’s also still a stand-up comedy show,
you know. The album that I made is, I think, still a comedy album. It’s
a beautiful record. I wanted it to have something that was jokes, but
at the same time could be considered beautiful music, which I think
it is.
I know you’ve dabbled in music in the past, but you’re
really diving in now, right?
The last couple of shows I’ve done songs, and I’ve putting
more of my focus into music. My last show, Beautiful, which was a stand-up
show, included some music. My burlesque show, The Sensual Woman, also
had music in it.
What inspired you to get more into music?
I wanted to just make a whole record. I thought this was like the most
exciting thing I could do and I was really supported by all of my friends
who are incredible, incredible musicians. They helped me along, teaching
me how to play and sing. I got so much help from all these great, great,
great people.
You’ve also had some fun with the videos. I’ve seen three…
are there more?
No, there are three so far, and there will be more coming. I’m
working with the incredibly talented Liam Sullivan, and also my husband,
Al Ridenour, is making some for me. I’m kind of doing a lot of
different stuff for the videos because I want to make them like short
films that complement the music.
“Eat Shit and Die” is the one that’s cracking me
up right now.
Oh, good! That is such a beautiful video, and the shit costumes are
pretty amazing. Those were made by my husband.
Are they really? Are we going to get to see you dressed as a giant
turd in Clearwater and Orlando?
No, unfortunately. They’re not fragile, but they’re kind
of hard to transport. But I love those outfits. I think they belong
in the Rock and Roll Hall of Fame.
Or at least at Hard Rock Café! Do you have a favorite song on
the new CD?
I would say “Hey, Big Dog” is probably my favorite overall.
Just because it’s a song I wrote for my dog. I wrote it with Patty
Griffin—she and I both love dogs—and I sang it with Fiona
Apple, whose dog has the same issue as mine: they’re both afraid
of the wind. It’s about time we had a love song for animals.
I just learned that you’ve directed several music videos.
Yeah, I’ve made a bunch. I made one for Jill Sobule, who is a
good friend of mine. She and I have band called Pixie Herculon and we
do songs about bears, which I love. So I made a video with a lot of
beautiful, gorgeous guys…a lot of bears in that. I do love to
[direct videos], but it’s very time consuming and I haven’t
had much time lately to do anything.
It was a nice surprise to see you in the cast of Drop Dead Diva.
That was something I wanted to do because I loved the script so much.
I love the spirit of it. I think it really has a positive, wonderful
message for women to feel good about their bodies; it’s definitely
something I really believe in and a show I think everybody should watch.
You’ve been honest about the pressure that was put on you to
lose weight for your television show All American Girl. When I see you
now on TV, I find myself thinking ‘I hope she doesn’t feel
that sort of pressure now.’
Oh, no, not at all. The opposite, really. The show is about self-acceptance;
about women feeling good in their bodies, and we definitely promote
that all the time.
You have beautiful tattoos. What are your thoughts about how tattoos
relate to body image?
For me, tattooing is really about claiming ownership of my own body
and enjoying that and celebrating that. It’s very much linked
with the idea of having a positive body image and a positive feeling
of self-worth and satisfaction with oneself. That’s definitely
why I get tattoos.
You endorsed Obama when he ran office. What are your thoughts today
as he’s midway into his first term as President?
I think he’s doing good. I mean, I think it’s a really tough
job, and I feel very satisfied with what he’s accomplished. I
want to see more help for the gay community. I think that’s going
to be my one issue with the Obama administration. I would love to see
them do more for gays. I’d love to see gay marriage. I’d
love to see the repeal of ‘don’t ask, don’t tell.’
That’s all that I’m about: wanting to see—more gay
activism from this administration.
You recently visited the White House. Were you tempted to bend his
ear?
Well, I didn’t get to talk to him much. I just got to meet him
briefly.
Did you and Al consider not marrying, like Brad and Angelina, as a
gay marriage statement? Not marrying until everybody can?
We’ve been together since 1999 and we got married before a lot
of stuff happened. But I think it’s great that Brad and Angelina
are doing that. Being in a marriage makes you realize how important
gay marriage is. I didn’t really understand marriage before. Now
I see it’s just family. This is why we need this in our community—we
need family.
When you get down to it, marriage is really just the legal part of
it. What do you think that legal part is so important?
To me it’s about having a family unit; to have the same rights
as straight couples have in their family units. It’s more about
being seen in the eyes of the government as the same as straight people.
It’s about equality more than it is about anything else.
When you’re performing you often go from something really funny
to something that just gets right inside my heart. How do you come to
those moments?
To me it’s all kind of the same—things that are touching,
things that are funny, things that are important to say. To me they
all have the same value. It’s just about balancing what the show’s
going to be. But when you think of something that’s really stirring,
whether it’s funny or it’s very true, that to me is always
the right direction to go in: deep truth. Sometimes it’s hilarious.
Sometimes it’s a very interesting thought. I want to balance it
all so that I have a show full of depth and full of meaning.
I think your approach is powerful, because through laughter you’re
opening your audience to any message you might have.
I hope so. I hope being a comedian there’s an ability to spread
messages of pride or “positivity” or good things to say
in general. Hopefully that’s helped along by being a comic and
kind of buying that time, buying that message time.
In a past show you devoted some of that time to friends who’ve
passed from AIDS. World AIDS Day is again upon us…
I think for me that’s why gay activism is such an important thing,
because I grew up in the “Age of AIDS.” I grew up right
in the really dark times in San Francisco in the ‘80s. We lost
so many people. Growing up in that crisis, you learn how important activism
is. So that is always going to be part of my work—this speaking
out for the LGBT community—because this is my history and my upbringing.